2012 In Music: My Top Five

Music of 2012 Banner

I’ve never really mentioned music here, perhaps owing to the breakneck speed of that particular industry. It seems that by the time you truly learn to appreciate one release, another five hundred have come and gone in the interim, all of which are equally deserving of a stand in the limelight. I’ve always viewed music as something that warrants a dedicated blog of its own, one conducive to shorter, rapid-fire updates: something which you sure ain’t getting here.

Looking back over the year, however, I can’t help but feel that too much came out in 2012 not to warrant a quick look back. Considering this is the year that saw Psy orchestrate a successful bid for world domination, I’m surprised there were enough raw materials left to press discs that didn’t have the words ‘Gangnam Style’ printed on them, let alone to facilitate the continued rise of the likes of Kendrick Lamar and Frank Ocean. 2012 was somewhat of a poster year for experimental, intelligent hip-hop, but more than that, also saw the Deftones’ return to form, Carley Ray Jepsen’s dating masterclass, and the dawn of hamburger-based horror in music videos. We’re truly living in great times.

Tying in with my upcoming run-down of 2012’s videogames, it also wouldn’t be proper if I didn’t give mention to two soundtracks that, like Darren Korb’s work with Bastion last year, watered pants worldwide– Hotline Miami’s eclectic compilation of electro and psychedelica, and the ambient blips of Disasterpeace’s soundtrack to Fez. Throw money at them – they deserve it.

Anyway, here are my top 5 albums of 2012. You’re more than welcome to tell me how wrong I am, and I’m equally welcome to curl up in a ball and cry when you insult my taste. Give it a go; we’ll make a party of it. Continue reading

Advertisements